![]() ![]() 6 pieds 6 pouces, sur 4 pieds 8 pouces"). 101 (as "Un Tableau (Portrait) de trois Figures en pied, représentant une femme occupée à peindre & deux Élèves la regardant. A miniaturist and pastel portraitist in her own right, she lived with Labille-Guiard before and after the artist's marriage to Vincent, and continued to care for him after Labille-Guiard's death. Marie Gabrielle Capet was Labille-Guiard's favorite student. The Museum also owns a trois crayons study in chalk for the heads of these pupils ( 1998.186), in which Labille-Guiard experiments with proximity and light. Their relationship and the fall of light over their faces show her skill as a painter. Likewise, the inclusion of her pupils offers Labille-Guiard the opportunity to wrestle with the complexities of composition. Her beautiful dress and beribboned straw hat are rich in color and complex in execution she describes the reflection of the blue fabric in the parquet at her feet. She depicts herself at work in her atelier, palette in hand, box of paints to her right, a porte-crayon and a scroll of paper or canvas on the stool in the foreground. A contemporary critic called it not only her most beautiful portrait, but one of the finest paintings at the Salon that year. Labille-Guiard exhibited this work at the Salon of 1785. In 1800, she married the painter Vincent. She stayed in France throughout the Revolution and secured commissions from several of its leading figures. She was instead politically motivated and devoted herself to the teaching and advancement of women artists, seeking equal rights for them at the Académie. However, Labille-Guiard was not ambitious for a society clientele. Later, she was taken up by the Mesdames de France, the elderly maiden aunts of Louis XVI (1754–1793) who became her most important patrons. Together with Élisabeth Vigée Le Brun (1755–1842), she was admitted in 1783 to full membership in the Académie Royale de Peinture et de Sculpture and she exhibited at least ten pastels at the Salon that year. Labille-Guiard was exclusively a portraitist (then considered an appropriate genre for a woman) she was a fine painter in oils but may have preferred the pastel medium. She learned the techniques of pastel from Maurice Quentin de La Tour (1704–1788), and then in 1776 entered the studio of her childhood friend François André Vincent (1746–1816), François Élie's son, to study oil painting. In 1769 she married Nicolas Guiard, from whom she separated in 1779. Come join us.Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father's shop, Adélaïde Labille embarked upon her career before she was twenty. And as Caltech employees, we are uniquely positioned to meet those challenges through world-class engineering, science and technology, benefiting humanity through our missions, innovations, and research.Īnd it’s the bold, passionate spirit of our people the deep expertise and incredible diversity of our collective experiences, backgrounds and skills, that makes JPL so awe-inspiring. Since 1958, NASA has entrusted JPL with some of its biggest challenges and boldest steps into making the unknown known. There is no better place to be on the planet - or off the planet - for those who are driven by curiosity, purpose, and engaging with amazing people. We help build telescopes that peer at some of the earliest galaxies, and satellites to advance understanding of our home, here on Earth. We are a leader in robotic space exploration, sending rovers to Mars and probes into the farthest reaches of the solar system. JPL holds a unique place in the universe. ![]()
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